I thought I had better do some catching up in my blog before my viewers think I have disappeared forever into some Tennessee "holler." I'm visiting my family in Kansas, and I'm about to leave in the morning for Colorado. I plan to do much plein air painting.
As part of my visit, we went to the Cowboy Museum in Oklahoma City. We spent about four hours looking at mostly paintings, and barely got out before closing time. I saw my first original Bettina Steinke, and I tried to learn as much as I could from the large, luscious strokes that defined the glowing skin and sparkling eyes of her subject. I also had my first viewings of many original landscape artists: Scott Christiansen, Matt Smith (be jealous, Kevin!), Aspervig, and Bill Anton. Scott Christiansen's waterway scenes glowed in a soft, natural light at a distance, and up close the "offhand," blocky brushstrokes were amazing in their accuracy. I loved Kuhn's scratchy-textured, well-structured paintings of cougars; I had never seen acrylics look that way before. I was mesmerized by "Shoofly's" incredible pencil drawings. He uses swaths of pencil scribbles as single brush strokes, often with no apparent layering or touch-up, and always nailing the value. By the end of my visit, I was completely exhausted, with a headache and sore neck. My mom and I are in this picture, and even the cowboy looks tired.
For the most part, we weren't allowed to photograph paintings, but here is an exception...a "huge" exception! My dad and I are the two little heads in the lower left. These particular paintings are part of a permanent collection at the museum, and I will edit this post when I remember the artist's name. They really are stunning to see in person.
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